In November 2016 we added 21 topics to Australian Potters’ Marks and updated Lue Pottery with some early impressed marks not previously recorded. There is a slight bias towards the ACT this month, with potters like ann Ingwersen, Cheryl Kruger and Esmee Smith who all practiced in Canberra for a time. Several quite large businesses are represented with Austware Pottery and Monkeys of Melbourne, which still has a Facebook page for collectors although the company ceased operation in 1999. We also have an entry for Kym Faehse who worked for Monkeys of Melbourne as a brush hand in the 1980s. From South Australia we now have entries for David Pedler and his mother Barbara, also a potter. Facebook gave us examples of the work of several potters including Bevan Mills of Bridgetown Pottery in the south-west of Western Australia. (Incidently, I was born in Bridgetown and still have relatives living there.)
Illustrated: Barry Singleton’s painted Singo mark on a work dated 2004.
Here are the topics added or updated in November 2016:
Welcome to our project to make the marks used by Australian potters easy to find on the Internet. This will be a huge, open-ended task. My guess is that more than 10,000 potters have practiced professionally in Australia over the last fifty years, often using more than one mark to identify their work.
The seed data: From 1977-1996, the Australian Potters’ Society published eight printed directories with short biographies and images of marks. The seed data for this project was derived from these directories. Other sources included Geoff Ford’s Encyclopaedia of Australian Potters Marks, Skepsi’s Celebrating the Master exhibition catalogue and the images of marks included in The Journal of Australian Ceramics from 2010 onwards.
The platform: I’ve chosen two freely available social networking sites to gather and share the data. The index is hosted here on wordpress.com and I’ll also blog regularly to report on progress. Discussions about potters and their marks will take place on the Identifying Australian Pottery group on Flickr, and Flickr will also provide a means of sharing images and building a searchable and browsable image pool.
The images: The seed data describes marks a potter used and which sources have images of those marks. Members of the Identifying Australian Pottery group on Flickr have been creating topics for identified potters, with images of marks, and I am linking these to the index entries as they are created. I’m also archiving the images of identified marks in a separate Flickr account where they can be browsed alphabetically and by state.
A work in progress: While already a useful resource, work has only just begun. Now it will be up to all of us – potters, their families and heirs, collectors, curators, historians, buyers and sellers on the secondary market – to pool our knowledge and to keep adding entries and images as information comes to hand.